N.G. Pentzikis:

From studying the monuments of our religious tradition, I have drawn conclusions about the symmetrically unsymmetrical and about the fact that an uneven square may be geometrically more correct than an even one, about rhythm as the basic element explaining the world and human life…- N.G. Pentzikis

Tuesday, February 23, 2016

Mythistorema- Part 4 (Final)


BY GEORGE SEFERIS
TRANSLATED BY EDMUND KEELEY AND PHILIP SHERRARD

            17
                                                                                                            
                                                                               Astyanax

Now that you are leaving, take the boy with you as well,
the boy who saw the light under the plane tree,
one day when trumpets resounded and weapons shone
and the sweating horses
bent to the trough to touch with wet nostrils
the green surface of the water.

The olive trees with the wrinkles of our fathers
the rocks with the wisdom of our fathers
and our brother’s blood alive on the earth
were a vital joy, a rich pattern
for the souls who knew their prayer.

Now that you are leaving, now that the day of payment
dawns, now that no one knows
whom he will kill and how he will die,
take with you the boy who saw the light
under the leaves of that plane tree
and teach him to study the trees.


             18

I regret having let a broad river slip through my fingers
without drinking a single drop.
Now I’m sinking into the stone.
A small pine tree in the red soil
is all the company I have.
Whatever I loved vanished with the houses
that were new last summer
and crumbled in the winds of autumn.


             19

Even if the wind blows it doesn’t cool us
and the shade is meagre under the cypress trees
and all around slopes ascending to the mountains;

they’re a burden for us
the friends who no longer know how to die.


             20

In my breast the wound opens again
when the stars descend and become kin to my body
when silence falls under the footsteps of men.

These stones sinking into time, how far will they drag me with them?
The sea, the sea, who will be able to drain it dry?
I see the hands beckon each drawn to the vulture and the hawk
bound as I am to the rock that suffering has made mine,
I see the trees breathing the black serenity of the dead
and then the smiles, so static, of the statues.


             21

We who set out on this pilgrimage
looked at the broken statues
became distracted and said that life is not so easily lost
that death has unexplored paths
and its own particular justice;

that while we, still upright on our feet, are dying,
affiliated in stone
united in hardness and weakness,
the ancient dead have escaped the circle and risen again
and smile in a strange silence.


             22

So very much having passed before our eyes
that even our eyes saw nothing, but beyond
and behind was memory like the white sheet one night in an enclosure
where we saw strange visions, even stranger than you,
pass by and vanish into the motionless foliage of a pepper tree;

having known this fate of ours so well
wandering among broken stones, three or six thousand years
searching in collapsed buildings that might have been our homes
trying to remember dates and heroic deeds:
will we be able?

having been bound and scattered,
having struggled, as they said, with non-existent difficulties
lost, then finding again a road full of blind regiments
sinking in marshes and in the lake of Marathon,
will we be able to die as we should?


             23

A little farther
we will see the almond trees blossoming
the marble gleaming in the sun
the sea breaking into waves

a little farther,
let us rise a little higher.


             24

Here end the works of the sea, the works of love.
Those who will some day live here where we end —
should the blood happen to darken in their memory and overflow —
let them not forget us, the weak souls among the asphodels,
let them turn the heads of the victims towards Erebus:

We who had nothing will school them in serenity.

George Seferis, "Mythistorema" from Collected Poems (George Seferis). Translated, edited, and introduced by Edmund Keeley and Philip Sherrard. Copyright © 1995 by George Seferis.  


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