N.G. Pentzikis:
From studying the monuments of our religious tradition, I have drawn conclusions about the symmetrically unsymmetrical and about the fact that an uneven square may be geometrically more correct than an even one, about rhythm as the basic element explaining the world and human life…- N.G. Pentzikis
Wednesday, May 24, 2017
The Art of Christos Bokoros
Monday, May 15, 2017
A Literary trip to Greece
We are not sure if we will be able
to visit Greece this year. This reminds
me that most people will not be able to visit Greece this year.
If you are part of the “most” who never have, never will
(though you should), or just cannot go this year, perhaps you might consider
taking a literary trip to Greece. The
following recommendations will take you to Greece without a boat or an airplane…
1. Mother Thessaloniki
2. Aegean Notebooks
3. Patmos: A Place of Healing for the Soul
4. The Axion Esti
5. Tales from a Greek Island
Monday, May 1, 2017
Friday, April 21, 2017
Tuesday, April 18, 2017
Η ημέρα της Λαμπρής, ∆ιονυσιος Σολωμος (Greek & English)
The last cool star of dawn was
foretelling the brightest sunshine;
no cloud, no drift of mist was travelling
across any part of the sky.
Coming from there, the breeze
blew so sweetly across the face,
so gently, that it seemed
to whisper to the depths of the heart:
‘Life is sweet and death is darkness.’
‘Christ is Risen!’ Young and old, maidens,
everyone, little and great, prepare!
Inside the laurel-covered churches,
gather in the light of joy!
Open your arms and with them offer peace,
that the icons of the saints may see.
Embrace and kiss other sweetly, lip on lip,
let friend and foe proclaim, ‘Christ is Risen!’
Laurels are placed on every tomb,
beautiful babes are held in mothers’ arms,
the choristers sing sweetly
as they come before the icons.
Bright is the silver, bright is the gold,
under the light of the Easter candles.
Each face alights before the holy candles,
that Christians bear in hand.
foretelling the brightest sunshine;
no cloud, no drift of mist was travelling
across any part of the sky.
Coming from there, the breeze
blew so sweetly across the face,
so gently, that it seemed
to whisper to the depths of the heart:
‘Life is sweet and death is darkness.’
‘Christ is Risen!’ Young and old, maidens,
everyone, little and great, prepare!
Inside the laurel-covered churches,
gather in the light of joy!
Open your arms and with them offer peace,
that the icons of the saints may see.
Embrace and kiss other sweetly, lip on lip,
let friend and foe proclaim, ‘Christ is Risen!’
Laurels are placed on every tomb,
beautiful babes are held in mothers’ arms,
the choristers sing sweetly
as they come before the icons.
Bright is the silver, bright is the gold,
under the light of the Easter candles.
Each face alights before the holy candles,
that Christians bear in hand.
Καθαρότατον ήλιο επρομηνούσε
της αυγής το δροσάτο ύστερο αστέρι,
σύγνεφο, καταχνιά, δεν απερνούσε
τ’ ουρανού σε κανένα από τα μέρη,
και από εκεί κινημένο αργοφυσούσε
τόσο γλυκό στο πρόσωπο τ’ αέρι,
που λες και λέει μες της καρδιάς τα φύλλα
«γλυκειά η ζωή κι ο θάνατος μαυρίλα».
της αυγής το δροσάτο ύστερο αστέρι,
σύγνεφο, καταχνιά, δεν απερνούσε
τ’ ουρανού σε κανένα από τα μέρη,
και από εκεί κινημένο αργοφυσούσε
τόσο γλυκό στο πρόσωπο τ’ αέρι,
που λες και λέει μες της καρδιάς τα φύλλα
«γλυκειά η ζωή κι ο θάνατος μαυρίλα».
Χριστός ανέστη! Νέοι, γέροι και
κόραις
όλοι, μικροί, μεγάλοι ετοιμασθήτε,
μέσα στις εκκλησιές τες δαφνοφόραις
με το φως της χαράς συμμαζωχθήτε,
ανοίξατε αγκαλιές ειρηνοφόραις
ομπροστά στους Αγίους, και φιληθείτε,
φιληθείτε γλυκά χείλη με χείλη,
πέστε Χριστός ανέστη, εχθροί και φίλοι.
όλοι, μικροί, μεγάλοι ετοιμασθήτε,
μέσα στις εκκλησιές τες δαφνοφόραις
με το φως της χαράς συμμαζωχθήτε,
ανοίξατε αγκαλιές ειρηνοφόραις
ομπροστά στους Αγίους, και φιληθείτε,
φιληθείτε γλυκά χείλη με χείλη,
πέστε Χριστός ανέστη, εχθροί και φίλοι.
Δάφναις εις κάθε πλάκα έχουν οι
τάφοι,
και βρέφη ωραία στην αγκαλιά οι μαννάδες,
γλυκόφωνα, κοιτώντας ταις ζωγραφι-
σμέναις εικόνες, ψάλλουνε οι ψαλτάδες,
λάμπει το ασήμι, λάμπει το χρυσάφι
από το φως που χύνουνε οι λαμπάδες,
κάθε πρόσωπο λάμπει απ’ τ’ αγιοκέρι,
οπού κρατούνε οι Χριστιανοί στο χέρι.
και βρέφη ωραία στην αγκαλιά οι μαννάδες,
γλυκόφωνα, κοιτώντας ταις ζωγραφι-
σμέναις εικόνες, ψάλλουνε οι ψαλτάδες,
λάμπει το ασήμι, λάμπει το χρυσάφι
από το φως που χύνουνε οι λαμπάδες,
κάθε πρόσωπο λάμπει απ’ τ’ αγιοκέρι,
οπού κρατούνε οι Χριστιανοί στο χέρι.
Tuesday, November 1, 2016
Friday, October 21, 2016
Yannis Tsarouchis
Yannis Tsarouchis (Γιάννης Τσαρούχης) 13 January 1910 – 20 July 1989
Born in Piraeus, he studied at the Athens School
of Fine Arts (1929–1935). He was also a student of Photios Kontoglou,
who introduced him to Byzantine iconography, while he also studied popular architecture and
dressing customs. Together with Dimitris Pikionis, Kontoglou
and Angeliki Hatzimichali he led the movement for the introduction of
Greek tradition in painting.
Tuesday, October 11, 2016
Friday, October 7, 2016
Zissimos Lorenzatos: What Remains…
All these matters, great and small, which torment
us or occupy us and trouble our minds, day and night, with the small—the infinitesimally
small—fraction of truth which the world can contain: what do they amount to for
man at the critical moment? And what do we leave behind us? When you put
everything together within yourself and sum it up—prophecy, mysteries,
knowledge, faith (yes, even faith)—what finally remains, in this world, apart
from Love? What is left, even of
those countless worlds that circle endlessly ‘in limitless space’ in the
universe, as the Zakynthian poet Kalvos says:
The
storm clouds have fled on the wind,
never
and nowhere to be found.
Tuesday, October 4, 2016
Tuesday, August 16, 2016
Wayfarers by Tasos Leivaditis
WE ARE THOSE who have been on their way for
centuries—we never had a place of our own—where are we
going? Where are we coming from? On occasion we stay
somewhere for a while, but fate quickly remembers us again
and we leave.
And only on occasion, at the time when
dusk falls and
the few violets shudder amongst the hedges, we are
overwhelmed by a strange awe, a feeling as though we are
returning to the place from which we have been forever
banished.
Or perhaps the twilight is our only home…
Friday, July 22, 2016
N.G. Pentzikis: Mother Thessaloniki
If, looking at Thessaloniki, one is able to rebut the poetry of the the Waste Land, in which all cities are reduced to non-existence, it is because here in the ruins, in what all things new will eventually become, one senses that everything exists, not for what it was but for something other than that, which never entered our minds when we were building. This unlooked for other makes it possible for you to live in Thessaloniki, so that however dismal your starting point, you are always when you set out optimistic about the Resurrection.
- N.G. Pentzikis
Thursday, July 14, 2016
Friday, July 1, 2016
Wednesday, June 22, 2016
SONG OF OLD TIMES by Nikos Gatsos
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| Λουκάς Γεραλής |
For
George Seferis
Times
change, years pass
the
river of the world is muddy
but
I go out on the balcony of a dream
to
see you bent over your clay
embroider
ships and swallows.
The
sea is bitter, our land small
the
water in the clouds dear
the
cypress wrapped in bareness
the
grass burns to ashes in silence
and
the hunt of the sun is endless.
And
you came and carved a fountain
for
the old shipwrecked man of the sea
who
vanished but a memory of him
remains
a
gleaming shell on Amorgos
a
salty pebble on Santorini.
From
the dew that shakes on a fern
I
have taken the drop of a pomegranate
so
I can in this notebook
spell
out the longings of a heart
with
the first star of a fable.
But
now that Holy Tuesday arrives
and
Easter will come slowly
I
want you to go to Mani and to Crete
with
your company there perpetually
the
wolf the eagle and the asp.
And
when you see the shooting star
from
another time shine on your face
secretly
with delicate twinkle, stand up
bring
back again a spring
that
wells up in your own rock
.
. . . . . . . . . . . . . . . . . . . . . . . . .
Times
change, years pass
the
river of the world clouds over
but
I go out on the balcony of a dream
to
see you bent over your clay
embroider
ships and swallows
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